A Colourful Honour: Asian Artistry Featured by The New York Times
- 7 days ago
- 2 min read
A Meaningful Recognition
We are deeply grateful to be featured by The New York Times, in an article published on 12 November 2024, as one of the five places to find colourful treasures in Singapore, especially for our contribution to the city's vivid Peranakan designs.
For our family, this is a very meaningful moment.
A Legacy That Began in 1925
Asian Artistry is built on heritage that began nearly a century ago. In 1925, the 3rd generation owner of Asian Artistry Francis Ngau's grandfather came to Singapore from China and learnt the craft of jewellery-making from goldsmiths in Little India. He opened a small shop in 1933, and from there, the skills, values, and passion for craftsmanship were passed down through the generations. Today, we continue that journey with deep respect for where we came from and what this legacy represents.
Growing up around this craft taught us that jewellery is never just an accessory. It carries memory, identity, and culture. That is why Peranakan artistry has always held such an important place in our work. The intricate surfaces, rounded edges, floral patterns, and bird motifs found in our pieces reflect the richness of Peranakan heritage and the meanings behind it, from harmony and unity to nature and abundance.
Grateful for the Journey
To see Asian Artistry recognised in this way is incredibly humbling. We are thankful not only for the feature itself, but also for the opportunity to share the story behind our jewellery and the traditions that continue to inspire us.
Carrying the Legacy Forward
Being named one of Singapore's places to find colourful treasures is an honour we hold close to our hearts. We remain committed to preserving the beauty of Peranakan craftsmanship and sharing it with pride, sincerity, and gratitude.
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